Mikomi Yoshikawa-Baker, “Miko,” desperately wanted to protest the murder of George Floyd. But, given the police’s rampant use of tear gas and rubber bullets, she also wanted to keep herself and her young daughter away from the crowds. So she looked around the downtown neighborhoods, noticed all the boarded-up windows, and discovered the best way to join the movement—by calling in an army of creatives, buying up gallons of paint, and depicting powerful antiracist messages on the ubiquitous blank lumber.

Of the people, by the people, for the people: such is how the Conscious San Jose Festival came about—how it operates in every moment and how it dreams for the future of our world. It’s a celebration of yoga, wellness, music, art, food, but most of all, community—a rosy bubble of possibility where anyone is accepted, and everyone belongs.

Assisting with this mission is Michael Ogilvie, San Jose’s public art director. Seeking to deepen San Jose inhabitants’ appreciation of their home, Ogilvie leads the city’s public art program by stewarding over 250 works of art and research and also plans and evaluates public art projects.

Design a business plan for a mom and pop shop. Throw in all the extras, goodies, and toppings, like locally sourced content, community building, local economy boosting, and anything else that sounds good. Do not be shy, put it all in there. In fact, build your dream business. Have you got it in your head? OK, now take this business plan and put it in a blender.

With the misguided adoption of Assembly Bill 5 (AB 5) this past January, Sacramento is undercutting fundamental parts of the ecosystem for the performing arts in California. The law has resulted in a multitude of scenarios in which artists are losing opportunities to create and California audiences are losing the opportunity to benefit immeasurably from experiencing the artists’ work.

Activist art is on the rise, particularly in the last two years. While it used to be rare to have art institutions hosting activist exhibitions, they are now being shown across the country and in locations that even just a few years ago would have seemed improbable. Imagine a gallery or museum in a conservative southern town having an exhibition on the theme of racism or Black Lives Matter. The whirlwind of rhetoric and hyperbole from the current administration spewing xenophobia, misogyny, and racism has galvanized artists into action, bringing to light injustice and inequalities.

It’s an overwhelming understatement to say this has already been a rough year for California’s creative ecosystem. No sooner had we begun to grapple with the unintended yet utterly predictable consequences of Assembly Bill 5 and explore potential solutions with lawmakers, COVID-19 came around and threw the whole world upside down.

Search online for a San Jose gym that offers boxing, and you’ll find dozens that advertise this. Few are boxing exclusive. None have the Dreamland Boxing Training Center’s credentials...

Grab a seat behind the goal about halfway up the stands at Avaya Stadium. Take in the game and the air traffic of Mineta Airport in the distance, framed by the boxy downtown San Jose skyline and the peaks that form the Santa Clara Valley...

“We’re at a critical juncture in our evolution, and the startup buzz of possibilities is palpable. I experienced it when I came here in 2008 to build CreaTV San Jose,” recalls Suzanne St. John-Crane, former CEO of CreaTV and current CEO of American Leadership Forum - Silicon Valley.