Celebrating the vibrancy and impact of early-career artists across disciplines.
SVCreates is excited to announce the 2024 Content Emerging Artist Award recipients, celebrating the vibrancy and impact of early-career artists working in all disciplines across visual, performing, and literary arts. This award, a testament to SVCreates’ commitment to building the capacity and amplifying the voices of artists in our community, has been granted to two artists who have made a significant impact. These artists, who work with diverse communities and across mediums, have shown remarkable courage in taking risks and embracing challenges. Their unwavering commitment to their practice, intentional sharing of their vision, and rigorous approach to creation and production are commendable. We are privileged to have them as part of our community in Santa Clara County, where they have contributed significantly to the richness and vibrancy of our region. This year’s recipients are Esther Young and Elba Rachel.
Elba Raquel
A young girl stares off into space while sitting at the dinner table, surrounded by family. “Elba!” the girl’s father says, snapping his fingers for a reaction. “Elba, where are you?” the man echoes. Elba replies as if a fog had begun to lift: “I am right here.” “No, we lost you,” her father replies.
Growing up, Elba Raquel was a daydreamer. When asked what she wanted to be when she grew up, she would reply with professions such as detective, writer, or world traveler. She shares, “I have a restless mind and a zest for life. My parents were protective of us growing up, but I always wanted to live a more exciting life.” As far back as she can remember, she loved drawing. When preparing for college, she knew “it was either going to be writing or art. I chose art because it was the only thing that fulfilled me 100 percent.” Through art, she could investigate the subjects she painted, travel to a world of her own creation, and tell stories through her imagery.
While steadfast in her passion to pursue art, Elba remembers her family’s skepticism. “They wanted to convince me to switch majors. They would say things like, ‘¿Dónde vas a comer? You’re not going to make any money as an artist.’ They thought I was wasting my potential.” She went on to earn an AS in two-dimensional design, a BFA in illustration from the Academy of Art University, and an MFA in art education from Santa Clara University. That self-determination to forge her own path has been a constant theme in her journey.
Elba discovered Mexican painter Frida Kahlo while in high school. Researching her work stirred Elba’s identity as an artist. Like Kahlo, Elba painted her reality, which included the pain of lost love, states of depression, and familial turmoil. Painting was a conduit for peace, a way to work through those emotions. She explains, “Art has been my savior. I also feel bad for my art because I place my burdens on it. Many of my paintings are about my torments, but I am working to make art about happiness and joy.”
Elba’s technical ability to produce masterful realism on canvas contrasts the time it has taken to discover her unique style and voice. That discovery process spanned a decade, including having children and becoming an art teacher. She truly fleshed out her approach only during the COVID-19 pandemic. Elba recalls, “I had completed enough Instagram challenges that asked artists to create characters in their own style, and I began to notice my own style. I was doing two-dimensional lead pencil realism with highlighter backgrounds. I started trying that style on a large scale and fell in love with it. I completed a piece called Mexicanas Unidas. That was my first ‘Elba’ piece.” Mexicanas Unidas is a 4-foot by 6-foot self-portrait in grayscale with a crimson-red background. The subject is adorned with colorful tattoos and is strangling a fang-baring snake.
“Art has been my savior. I also feel bad for my art because I place my burdens on it.”
-Elba Raquel
Mexicanas Unidas was a turning point in Elba’s career. Along with finding her style, she discovered her voice. Elba began painting murals at events like the Bizare Art Festival and with the San Jose–based artist collective Together We Create. She noticed the lack of women participating in live painting events and made empowering women part of her mission. “That’s my little bit of change. I know it has to start with me. The more successful I am as a female artist, the more others give themselves permission to do what I am doing.” As part of that mission, Elba has participated in the Art Builds Community’s Womanhood project that recognizes influential Santa Clara County women. She actively seeks women to assist her with projects, has created a portfolio of female muralists, and actively engages with feminist themes in her studio practice.
Elba describes her work as a muralist: “Muralism is my heart and soul because it gets me away from myself and takes me into a different role that serves the community. I love Frida Kahlo for her ability to put herself out there and be 100 percent vulnerable. But I admired Diego Rivera for his audacity in creating pieces that were larger than himself. Murals are my gift to the community. It’s their voice and vision through my style and symbolism.”
As a recipient of the 2024 Content Emerging Artist Award, Elba plans to create more from a place of joy, manifesting the reality she wants to live. “We think we have to create from pain. But we can also paint from light. We don’t always have to paint alone, either. Paintings don’t talk back to you. They don’t give you a life. People do.” She is currently working on a new body of work under the moniker “Bo$$ Bïtçh” that she plans to share with the community through social media by exploring performance art. Elba is determined to forge her own path and be a light for those who follow it.
Celebrating the vibrancy and impact of early-career artists across disciplines.
SVCreates is excited to announce the 2024 Content Emerging Artist Award recipients, celebrating the vibrancy and impact of early-career artists working in all disciplines across visual, performing, and literary arts. This award, a testament to SVCreates’ commitment to building the capacity and amplifying the voices of artists in our community, has been granted to two artists who have made a significant impact. These artists, who work with diverse communities and across mediums, have shown remarkable courage in taking risks and embracing challenges. Their unwavering commitment to their practice, intentional sharing of their vision, and rigorous approach to creation and production are commendable. We are privileged to have them as part of our community in Santa Clara County, where they have contributed significantly to the richness and vibrancy of our region. This year’s recipients are Esther Young and Elba Rachel.
Esther Young
When Esther Young sits down to write music, she processes the outside world by looking inward—a fragment of a memory, a dusting of spirituality, the electrochemical processor that analyzes those inputs. The intuitive nature of her work is reflected in lyrics and stories that sometimes even she can only decode once she steps away from the source. The product is what she calls “ethereal indie folk.” Her music videos portray things like going for a drive, playing guitar in the woods, or doing laundry, but they contain a tilt of celestial normalcy that begs viewers to review the lyrics in the description. In many ways, Esther is laying bare her process of self-discovery for listeners and asking them to join her. In many ways, that process of self-discovery has been a process of redefining community.
Esther Young grew up as a shy kid in the East Bay, raised by a Chinese immigrant family devoted to their Chinese Christian faith. Esther was enrolled in classical piano lessons, sang in church, and generally listened to the music her parents showed her. She recalls, “I grew up around a mix of crazy music. My dad likes Chinese pop music, and I wasn’t allowed to listen to a lot of secular music.” At that time, her relationship with music was structured with a focus on worship. Early on, the roots of her songwriting stemmed from the prayers she would journal. That practice was a haven for her intimate musings.
“To write a heartfelt song, you must live with an open heart so that the ache is tangible.”
-Esther Young
Esther’s teenage years proved transitional in her approach to life, music, and spirituality. She disenrolled from classical piano classes, picked up the guitar, and began listening to secular music. These developments drew Esther closer to her voice as an artist but were also forms of assimilating into an idyllic American lifestyle. She admits, “I wanted to blend in with American culture for much of my life. I tried hard to avoid the parts of me that are Chinese.” Esther later attended Santa Clara State University, where she majored in both English and music. She became invested in finding her voice through the communities she engaged with. That experience culminated in her disaffiliation with religion. She explains, “I don’t identify as Christian anymore. I thought so many people should be saved, but according to the rules I had learned, they wouldn’t be. It was the existence of all my beautiful gay and queer friends that made those rules not make sense. I just wanted to live my most authentic life, and I started to feel more like myself—less conflicted.”
Esther credits the open mics she attended in college as a critical moment in her trajectory as a singer-songwriter. She says, “Mighty Mike McGee’s storytelling open mics were the first I went to. It wasn’t even music open mics, but I knew that was the space I wanted to be in. As a writer, what’s valuable to us is what’s being said and why it’s being said.” That emphasis on storytelling is manifested in Esther’s lyrically driven compositions. Much of her writing is distilled from her own lived experiences, but she hopes to imbue her work with universal themes and community voices. Esther’s work as a journalist and non-profit cultural worker has helped shape that perspective and worldview. She says, “As writers and artists, to be effective, we must explore our blind spots; to know ourselves, we must know our history. My pet peeve is when songwriters put together lines that have no purpose other than to rhyme—what a wasted opportunity. To write a heartfelt song, you must live with an open heart so that the ache is tangible.”
Esther’s journey of self-discovery through song is ongoing, but she is constantly refining her process. As a recipient of the 2024 Content Emerging Artist Award, Esther hopes to spend more time in the studio recording unreleased music and begin work on new music videos. In addition, she has recently been collaborating with local contemporaries. “Playing with other musicians that I look up to, who have strengths that I don’t have, has been exciting to me,” she says. Esther’s emphasis on community parallels her reflections on the importance of art. She explains, “If the art community has a foundational belief, the way that church does, it would be ‘what you do matters,’ period. I feel like that’s what holds our communities together. Everyone has a chance to tell their truth. There’s that sense of acceptance. I think that’s the thing about art that is so healthy for people.”
Reflecting on her past, Esther says, “I’m grateful to the younger versions of me that spent time alone writing. I’m proud of her.” When asked why folks should care about Esther Young, she replies, “I’m always trying. When I see the worth in something, I will put some effort behind it. I’m always sincere.”
Join us on Friday, November 22, for Pick-Up Party 17.1, “Discover” at The Santa Clara County Fairgrounds. This issue’s magazine in-real-life experience celebrates the creatives featured in the issue, including graffiti legends King157 & Nexus, breakdancer Vicki “La Vix” Chang, fiber artist Jaya Griscom, and more.
The party will feature over 20 pop-up murals presented in partnership with 1Culture, painted by artists from current and past issues of Content Magazine. The evening will also include food trucks curated by Feast Mode, beer from Foxtale Fermentation Project, music from Edward of SOBA Collective, and a dance performance from the breaking crew, Elephant Graveyard.
Issue 17.1, “Discover,” Cultivator Notes:
“I have wanted to do a primer on graffiti writing for years, and I am excited to see it finally become a reality in this issue. I wanted a primer because, though I don’t know much about graffiti, I wanted to honor the long tradition of street art in the South Bay and appreciate graffiti art’s role in many artists’ journeys. Many “bombers” have found their community through painting, which has helped them avoid other avenues that might not have been positive. I can’t pretend to be knowledgeable or an expert; thus, I am very thankful to Joey Reyes for helping bring this primer into existence.
Also, I want to thank Andrew Espino of 1Culture for his support in connecting us with Nexus and King157 and for providing a venue and a “yard” where this artwork could be created and displayed.
This issue is merely an overview of the craft. We will continue to feature these often-overlooked artists in the future, as we have in the past with Girafa, RC, Mesnger, and Wisper. But for now, we hope that in this issue, you will see that there is more to street art to be discovered.”
In this conversation, Daniel Garcia and David Valdespino Jr., the Cultivator and Developer of Content Magazine, discuss the curation of issue 17.1, “Discover,” share some insight into how each story connects, and layout what folks can expect from Pick-Up Party 17.1 “Discover.”
Thank you to our outstanding contributors. This magazine is only possible with your words, photos, and keen editing eye.
Thank you to our event partners: The Santa Clara County Fairgrounds, 1CULTURE, Foxtale Fermentation Project, and Feast Mode SJ by Culture Night Market.
Become a member and help support our mission to feature local creatives.
