On Saturday, April 25, 2026, downtown San Jose was bustling with energy, as if it were the gateway to an early summer. At the city’s center, the evening began at the circle of palms with the 2026 Gala + Auction, a signature moment where supporters gathered to invest in the creativity and community that define the San Jose Museum of Art (SJMA). This year, the museum honored sculptor Alison Saar with the Artist of Distinction Award and recognized The Adobe Foundation with the SJMA Visionary Award. While the gala sets the foundation for the museum’s mission through an elegant dinner and live auction, the After-Party—presented by Casino M8trix—opens the doors to the broader community, inviting everyone to join the celebration that began earlier.
Walking the purple carpet and seeing members of the arts community dressed in their finest immediately set the tone for a night of shared revelry. Even guests at the gala who seemed to be on their way out at the start of the after-party could be seen second-guessing the decision as the music began to hum. The heart of the party was the dance floor, centered in the museum lobby directly beneath Pae White’s installation, Noisy Blushes, hovering over the crowd like a geometric disco ball landing on Earth. The piece, a meditation on movement and time, material presence, and the elusiveness of form, links the outside with the inside of the museum and serves as a fitting beacon of an evening elevated by the confluence of community. On this night, the lobby was transformed into the classiest nightclub in town, pulsing to live sets by mainstay local DJs and vibe curators DJ Chale Brown and Cutso, with a surprise guest performance by Lyrics Born that electrified the audience.
The vibe on the dance floor was buzzing, a convergence of backgrounds and styles all moving together under the shimmer of White’s work. Between dances, guests enjoyed chef-crafted “light bites” in the Wendel Center from local restaurant partners, including Mezcal Restaurant, The Club on Post, Scott’s Seafood, and Casino M8trix, paired with specialty spirits from 10th St. Distillery. The unique charm of the atmosphere allowed attendees to easily slip away from the music and to the museum’s galleries and experience world-class artwork in a more intimate setting, exploring current exhibitions like Motherboards, ektor garcia: loose ends, and Tending and Dreaming. It was a testament to the power of art and community joy in downtown San Jose.
The current San José Museum of Art Exhibition, Seeing through Stone, is on view through Sunday, January 5, 2025.
The stories told by museums hold profound implications for how society understands history and power dynamics. San José Museum of Art Chief Curator Lauren Schell Dickens has partnered with The Institute of the Arts and Sciences at the University of California, Santa Cruz, and Santa Cruz Barrios Unidos to curate the museum’s current exhibition, “Seeing through Stone,” part of their ongoing Visualizing Abolition series. At the heart of this project lies a critical examination of the agency wielded by artists, activists, and institutions in imagining a world without prisons.
Seeing Through Stone challenges dominant narratives surrounding incarceration and stands as a testament to the power of art in confronting societal injustices. Featuring the works of 80 artists, It delves into themes of prison abolition, offering a platform for marginalized voices and a vision for creating a world beyond prison walls. Through poignant imagery and evocative installations, artists provoke viewers to confront the harsh realities of the prison-industrial complex while envisioning a world free from the constraints of incarceration. By centering the experiences of system-impacted individuals and their allies, the exhibition aims to spark dialogue and catalyze action toward dismantling oppressive systems.
Visualizing Abolition extends beyond the confines of the museum walls by fostering networks between abolition activists and artists. Through public programs and engagements, they seek to deepen community involvement and amplify the voices of those affected by incarceration.
Lauren Schell Dickens, most recently featured in Content Magazine Issue 15.4, “Profiles,” was born in the South Bay and raised in Sonoma County. She received a BA in American Studies from Yale University and an MA in Modern Art History, Critical Studies from Columbia University in New York. Her original interest in lighting design for theater arts set the stage for her interest in the work required when sharing an artist’s work. As a curator, Lauren weaves together the voices of artists, creating narratives that hopefully have a transformational effect on viewers.
In this conversation, we discuss Lauren’s Journey to becoming a curator, the transformative potential of art in fostering collective imagination and social change, the importance of artists in challenging normative representations of prisons, and specific installations that guests should look out for.
Join The San José Museum of Art on Friday, June 21, for live musical performances that will activate the artworks in SJMA’s exhibition “Seeing Through Stone” in collaboration with the City of San José’s Make Music Day Celebrations. Acclaimed composer and theorist James Gordon Williams, assistant professor of music at UC Santa Cruz, will perform an improvisational piece using a sculpture by interdisciplinary artist Maria Gaspar made of iron bars from the Cook County Department of Corrections, the largest single-site jail in the US. Experimental composer and visual artist Guillermo Galindo will perform a piece on his artwork, Llantambores, an instrument made of materials found at the US-Mexico border.
