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How fashion reflects stories of the land.

Carla Marie & Desiree Munoz: Cultural Keepers for the Costanoan Rumsen Carmel Tribe. @ohlonesisters
Carla Marie & Desiree Munoz: Cultural Keepers for the Costanoan Rumsen Carmel Tribe. @ohlonesisters

To be indigenous is to recognize that you are part of the land, and just like our own bodies, we need to protect and take care of the well-being of the land as well. Native fashion continues to share the stories of the land and to remind us all that without the land we would not be able to survive. Fashion has a unique ability to be intimate with people by default, simply because they are the closest things we put to our skin. They are shaped like our bodies. Embodying the stories of the land and encapsulating the ongoing stories native people have and share. Urban Native Era is one of these brands. They aim to empower people who wear their designs and to “increase indigenous visibility all around the world”.

Witnessing Joey Montoya, who is the creator of Urban Native Era, at the California Academy of Sciences fashion show that showcased three designers, Alira Sharrief of The Hijabi Chronicles, Cindy Phan of Ao Dai Festival, and Joey, was a delightful experience. UNE gave us something we hadn’t seen before in previous streetwear collections released by the brand. With their famous “you are on native land” printed on dad hats and hoodies. These designs had a contemporary touch with elegant, earthy, neutral tones and modestly fierce garments. While tuning in to the Intersections Conversation panel discussion earlier in the evening hosted by Marisol Medina-Cadena, Joey mentioned that the designs he showcased touch on a lot of connecting us to our culture and place.

You can see the etheric elements embedded into the designs of the collection. The sheer blouse felt like a fabric of ghostly allure but also ready to wear out to a nightclub or day party. Really bringing two worlds together, enabling a kaleidoscope of diverse features. I really loved Joey’s take on what clothing meant to him. He mentioned that “Clothes can hold us. There’s a spiritual-ness to it. There’s something there, it’s life. When you put something on, you feel that”. Realizing that clothes can be spiritual is a great way to dress with intention and think about how our personal stories are expressed through the clothes that we choose to put on.

Urban Native Era started in 2012 right here in San Jose, California. Joey Montoya, who is Lipan Apache, born and raised in San Francisco, wanted to spread the visibility of indigenous peoples. Inspired by the Idle No More Indigenous movement, UNE began to release its first collection in May 2013, which was made up of a series of shirts. Joey is a multimedia artist and entrepreneur who has set out to re-design a new world. One that is more inclusive. Since then, he has expanded his company, UNE, into a global phenomenon where his designs have been worn by Pauline Alexis “Wagiya Cizhan” (Young Eagle), (Alexis Nakota Sioux), who plays Willie Jack in Hulu’s original series Reservation Dogs. Joey has been featured on ABC’s Localish series Unfiltered and has been in magazines like Cosmopolitan and Vogue. Joey is deeply rooted in the Bay Area Native communities and always has a booth at local Pow Wows.

Urban Native Era is a brand for everyone to wear. Non-natives can and should wear the famous “You are on Native Land” attire to contribute to spreading awareness about who’s land you walk on, use the resources on, and understand that everything we do, and everywhere you go, you are on Native Land that has provided for us since time immemorial. We all need to recognize the indigenous names of the land we live and walk on. To pay attention to the stories that the land has and the voices of the people of the land translating these sacred stories. We must protect the land, heal the land, and love the land as the land loves us. Recognizing native land is promoting the indigenous perspective, leading down a path that takes us out of the colonial mindset of exploiting the land, and into the indigenous mindset of nurturing the land.

Read my next post, where I sat down with one of Native Fashion’s iconic creators, Collin Tru Hale, Mideegaadi Maa?iagash “Buffalo Looking” (Hidatsa/Mandan/Navajo), to discuss his perspective on the Native Fashion world.

RRedemption Boutique owner Tammy Liu has watched the items we buy become increasingly disposable. While a low-priced tee from your local big box might work as a one-off, she believes, a beautiful garment made by hard-working, passionate hands can become a keepsake to treasure forever.

Liu’s mother was a maker. When she and her husband moved to the US from Taiwan for her husband to attend college, they brought everything she had made with them: clothes, curtains, an entire household. They didn’t have the luxury of discarding their belongings to later replace them; nor could they ever replace what Liu’s mother had lovingly made.

When Liu was two years old, her mother made her a plaid velvet dress with lace tulle lining and a Peter Pan collar. Liu says, “The dress that my mom made me—it made my year.” Over time, Liu became more conscious of the meaning behind the items her mother made—this appreciation for scarcity became the root of her buying mantra.

Inspired by her mother’s craft, Liu’s been determined to work in fashion and open her own store since she was a child. After graduating from Cal Poly with a business degree, she began working in a small Bay Area–based boutique as a sales associate. She was soon managing several stores and ready to break out on her own.

“It had always been a solo mission,” says Liu. But then Liu spent a year in Australia, where she met Dave MacGregor-Scholes. Connected by their mutual love of “thrifting,” they discussed Liu’s ideas for her dream clothing store and expanded the concept into a lifestyle emporium, one that would promote quality over disposability and offer ethically, locally made goods instead of generic products.

Back in the US, Liu had to find the right location to make her and MacGregor-Scholes’s vision a reality. While Liu was considering how much capital would be required to launch a startup given pricey Bay Area rents, the downtown Campbell space practically fell into her lap: 1000 square feet of shop space in a prime location on Campbell Avenue.

Liu’s customers endorse her ideals and support local, handmade goods. Says Liu, “The majority of my customers are just like me: 30-somethings who want to feel good about their purchases.”

Documentaries about poor working conditions in clothing factories inspired Liu to research production methods. Wanting to reach artists who could produce merchandise for her space, she started looking for creative craftspeople in California. “I wanted to design a collective space that showcases the talent all around us,” says Liu.

Liu made it her mission to personally meet every artisan and visit his or her workshop. By being selective, she hoped to find people who shared her passion for quality.

When she finally opened in May 2015, she had 40 vendors—now the total is closer to 60. Many of these artists donate a portion of their proceeds back to the community.

All of the bath and body products are fair trade; the display fixtures in the shop were made from reclaimed wood. The unfinished edges and stark geometric shapes echo the simple message of finding value in all kinds of materials.

During her thrift adventures in Australia, Liu developed an eye for good recycled clothing, too. “I don’t shop in department stores,” she says, “because I don’t want what everyone else has.” Her store features a section for recycled clothing that she’s sourced from antiques and estate sales. The racks are filled with men’s and women’s lines that are manufactured in California, using local materials and fabrics.

The positive response she has received from the community so far reinforces why she opened the shop. One customer emailed to praise her excellent sales associate. Liu laughed about this as she’s the only employee, working seven days a week.

The longer the shop has been open, the less research she has had to do. Customers bring in products and vendors. While Liu would like to take some time off occasionally to take her dogs to the beach or catch up on laundry, running Redemption has never felt like work.

“This is the happiest I have ever been,” Liu says. “I am exactly where I wanted to be.”

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Article originally appeared in Issue 7.4 “Phase”

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