
Wowing crowds with outstanding performances at just the age of three, Amara Lin is no stranger to the music world. Fast forward to today, and she is the lead singer for two bands and teaches music at three different schools. She’s really come a long way with music.
Though she doesn’t come from a musical household, being involved with music since she was so young was the main cause for her wanting to make a life with it. Never has she had to figure out what she’s wanted to do with her life, because she’s been doing the thing she’s loved since she was a toddler. “My mom’s a music lover, so she put me in music classes when I was really young just to be exposed, and it took, but I didn’t really come from a music household,” Lin says. “I’m not sure things would have turned out the way they have if I were. Since I was young, I never had any other aspirations for anything else. Music was the only thing that made sense.”
Up until the pandemic, Lin always considered herself a solo artist writing her own music and performing. It wasn’t until one day at her job that she got an invitation to be a lead singer for her current band, Silk Road. “So the local band Silk Road came together when I started working for San Jose Guitar Center. My boss’s son was performing at an event with me and said, ‘Hey, I’m starting a band. Do you want to join it?’ ” Lin says. “They already had some parts together, then we came along and dragged a few other people in, and I got my sister to join us doing backup vocals. That was cool, and very unexpected.”
Lin’s music can be considered multigenre, but her main focus is on making pop rock or progressive alternative. If you ask her, she’ll tell you her sound is quite different. “I do a little bit of everything. I like the singer/songwriter aspect when it’s just me and my instrument,” Lin says. “I do some pop rock, progressive rock, present rock, with metal elements.”
Lin’s musical sound is so unique that you cannot really label it into one genre. She attributes a lot of her sound to music greats from the ’70s. “I listen to everything, but primarily ’70s music. I love psychedelic progressive stuff like Pink Floyd, the Doors, and Electric Light Orchestra,” Lin says. “Of course, I like the female songwriters of that era—Carole King, Joni Mitchell, and the more recent Alanis Morissette. Those are the mains.”
When it comes to making great music, every artist has an area that they hone in on, trying to perfect it. Some focus on the sounds of a song, such as vocals and riffs, whereas some are more into lyrics and storytelling. Lin likes to focus on storytelling and relatability with her fans. “I’m such a lyricist, I really care about lyrics. It doesn’t matter to me if the song is catchy, but if it doesn’t have good lyrics, it doesn’t hit as hard,” Lin says. “So I have to have a concept. Sometimes I write a poem and then write a song off of that, or I’ll come up with a melody and find words to match it, but when I do that it doesn’t feel as real and raw. When I’m writing with someone else, it’s nice because I don’t have to focus so much on the instrumental aspect. I get to nerd out and write something as somebody from an outside perspective and match how it feels with lyrics.”
Lin is passionate at what she does, and when it comes time to retire, she doesn’t see that in her future. Being in love with making music, she wants to create even in old age. “I love performing so much, and I love writing so much, I can’t decide which one is better,” Lin says. “I don’t think it’s ever been a concept in my mind that I would not be writing at some point in my life. I don’t care if I’m 80, so long as I can always express myself in that way and have the lenience to be able to do that.”
Wanting to help people is an overall goal for Lin. Along with doing music, she is currently a double major at De Anza College in music and psychology. She hopes to land a job in music therapy one day.
“Music was always a constant. It was always something I did, but I didn’t realize why. When I began writing at fourteen, I realized that it was kind of the thing holding it all together,” Lin says. “Music keeps me sane, so if I could make music that helped keep other people sane, that’d be pretty cool.”
Having recently released the song “Breathlessly,” Lin reveals that there is plenty of music on the way, and that they have more projects on the horizon. “We’ve been releasing over the past couple years. We’ve been dropping singles here and there, and we’re hoping to drop a project,” Lin says. “We have a lot in the vault. We’ve been doing a lot of music video covers, and for my other band in the works, we’re hoping to work on an album in the next year.”
Instagram: amaralin__
Kia Fay Donovan and Mark Arroyo
This podcast is also available on Spotify, Apple Podcasts, and YouTube.
MindFi Performance of “The Many Faces of Men” in Content Black Backdrop at the end of this post.
What happens when a hair salon becomes a stage, a friendship becomes a band, and a guitar and voice create a whole universe of sound?
MindFi is a genre-bending musical duo formed by Kia Fay and Mark Arroyo. Combining their unique talents, they have created something they describe as a wireless mind connection, a performance philosophy, and a creative community rooted in the heart of San Jose’s Japantown.
The name MindFi is a play on “Wi-Fi for your mind,” and that is exactly what their music feels like—tapping into an unseen, deeply intuitive frequency between two artists who listen as much as they play. Born from a long-standing friendship and shared vision for musical purity, the project came to life post-COVID, blending logistical simplicity with artistic depth. With just guitar and vocals, they challenge themselves to make music that feels expansive, spontaneous, and emotionally raw.
MindFi’s core performance takes place on the last Wednesday evening of every month at The Curl Consultant, Kia’s salon-turned-sound-lab on Jackson Street in Japantown. What makes MindFi especially captivating is their intentionality. Every element—from the curated audience and the timing of their Wednesday shows to their strategic approach to growth—is designed to create connection and community. The band values intimate live performances and how each set is never quite the same. Each breath, mistake, and laugh becomes part of the show, immersing listeners in the moment and the music.
Their sound is the product of weekly rehearsals, conversations, active listening, and an ongoing “what if” approach to creation: what if we play this differently? What if we strip it down? What if we rebuild it entirely? Whether covering Depeche Mode with just a guitar and voice or experimenting with chord voicings and layered effects, their goal is always to make the music feel full beyond what most would expect of a duo.
While this collaboration between artists was long in the making, Kia received a 2025 San Jose Jazz Jazz Aid Fund commissioning grant, which acted as an accelerator for the project’s artistic vision. The fund validated their presence in the local arts scene and gave them the resources to launch MindFi with autonomy and intention. They continue to grow the project on their own terms—developing recordings, videos, and plans for future performances—while bypassing the traditional struggle of new bands constantly chasing gigs.
In this conversation, Kia and Mark reveal their approach to music as a creative outlet, a community hub, and a sonic experiment. They discuss their careers making art in other contexts and how MindFi is a place where they decompress, reconnect, and remember why they fell in love with music in the first place.
Experience MindFi’s sound at Pick-Up Party 17.3 on May 16, 2025 at West Valley College. They will be opening the event at 7p. You can also experience their magic at The Curl Consultant every last Wednesday of the month in Japantown. RSVP.
Follow MindFi on Instagram @mindfiband
Kia Fay was also featured in Issue 11.1, “Sight and Sound”
Mark Arroyo was also featured in Issue 9.2, “Sight and Sound”